was RickRussellTX @ reddit

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Cake day: June 21st, 2023

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  • So I’m getting a bit fascinated by this question, because I can do practical tests – I’ve owned CD-Rs since the format was invented w/ the original Pinnacle SCSI CD writers circa 1994.

    I don’t think I have any CD-Rs that old any more, but I definitely have many from that era. Just for the heck of it, I popped an azo CD-R in my drive that I wrote in 1998, and I happen to have a hard drive copy of these files that I’ve carried forward on hard disks since that time as well (the CD-R was a backup).

    I think the files are still in perfect condition – was able to copy w/ verify all 360MB of MP3s (and yes, before you ask, I was making MP3s in 1998 using the Fraunhofer DOS command-line encoder), and compare them to my hard drive copies which show matching SHA512 hashes.

    If I’m still around 25 years from now, I’ll try again :-)





  • The whole process is much less authentic.

    I remember reading a letter to the editor in Stereophile magazine 30 years ago, when tube amps were coming back into style after decades of transistor and semiconductor amps. The reader pointed out that the language used in a review to describe the benefits of tube amps was ridiculous, and that calling the output “warm” or “intimate” (or dare I say, “authentic”) compared to semiconductor amps was simply an admission that the tube amps were making a change to the audio output that was not part of the original recording.

    The function of an audio reproduction and amplification system, the author pointed out, was to reproduce the audio signal as accurately as possible to capture the content of the original recorded signal. Full stop. Anything else is nonsense.


  • The fact that CD sales are behind vinyl is a sign that the world has gone mad.

    I mean… CD sales are only behind vinyl because vinyl has become collectible, while CDs offer no practical advantage over stored files on a hard drive or high-quality streaming.

    And before you say, “but what about compression?”, the fact is that even lossy compression is good enough that most audiophiles can’t tell the difference. Audiophile publications started doing blind comparisons back in the 90s, and it quickly became clear that somewhere around 192kbps MP3 the ability of humans to statistically discern the compressed vs. uncompressed versions started to disappear.



  • Perhaps worth noting, there was a SCOTUS decision in the early 2000s (New York Times Co. v. Tasini) that held that freelance journalists whose contracts did not specifically include an electronic distribution clause were entitled to damages when those articles were subsequently released on the web and to electronic news services like Lexis/Nexis.

    Big publications like the NYT came to settlements that allowed them to pay to redistribute the older articles (by paying the original authors), but smaller publications may not have such a settlement structure in place and may not be allowed to redistribute the original articles without additional permissions.

    FYI, I have a copy of the Dragon Magazine Archive CD-ROM version that came out in 2001… only to immediately disappear off the market for this very reason!